Legendary singer Ferdous Wahid, whose voice has captivated generations, has opened up about his numerous romantic involvements, questioning, “I have loved many times, but how much of it was real?”
In an intimate conversation on the TIMES of Bangladesh show “Rhythm of TIMES,” the veteran artist confessed that while his experiences with women have profoundly influenced his creative work, he is now enchanted by the love of nature, which he finds as “mysterious as women.”
The special Eid episode, hosted by Souro Bappa, is set to premiere on the Times of Bangladesh Facebook page and YouTube channel on Eid day (March 21) at 7pm.
During the programme, Wahid shared how his musical career led to many friendships with women, noting that some initially disliked him but grew to love him after hearing his songs, while others loved him at first but later went away.
“Life moves at its own pace. Hearts meet, then people go away due to the pull of reality,” he remarked, adding that these feelings of love and pain are vital to an artist’s creativity.
Reflecting on his roots, Wahid explained that his musical journey is deeply embedded in his family. His father, a “huge music enthusiast,” turned their home into a musical hub every Sunday with lively addas and performances.
He fondly recalled sitting quietly beside the legendary Abdul Alim during a home visit, an experience that deepened his love for the craft as Alim’s voice has “echoed in [his] ears ever since.”
The conversation also highlighted his lifelong friendships with Azam Khan, Fakir Alamgir, and Lucky Akhand, which helped shape a “powerful movement” in the music industry.
Wahid reminisced about his school days with Akhand, where they would sit together during tiffin breaks to sing and share stories. This bond flourished further during their university years, leading to the recording of hits like “Mamunia” and “Agey Jodi Jantam.”
Beyond music, Wahid discussed his “creative urge” to explore filmmaking, including telefilms, documentaries, and commercials.
Despite the opportunities available abroad, he chose not to settle permanently in Canada, explaining that while other countries offer opportunities, they lack the unique musical environment found at home.
Addressing the current state of the industry, the artist noted with a hint of nostalgia that technology has made everything “too easy” and that listeners’ ears have become accustomed to simplicity.
However, he views this not with despair, but as a natural evolution of the times.
