Digger: A masterpiece powered by Iñárritu, Cruise and Lubezki
For years, I’ve looked forward to Alejandro G. Iñárritu’s films with a special kind of excitement...
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18h ago
The algorithm is coming for our stories: Is Bangladesh ready?
Think about the small gaps in your day. You are waiting for a friend at a...
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30 Sep 2026
Avengers: Endgame Encore: When an Old Film Creates New Memories
Back in 2019, I saw Avengers: Endgame in a theatre in Canada, and one scene has...
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27 Sep 2026
When grief becomes content: What Aprotim’s death reveals about us
The murder of 13-year-old Aprotim was tragic enough on its own. But what happened after his...
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23 Sep 2026
Apratim’s death is a warning
My son turned thirteen a few days ago. So when I saw the photo of thirteen-year-old...
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19 Sep 2026
Twenty-Five Years After 9/11: How American Cinema Reframed War, Muslims and Afghanistan
I remember September 11, 2001, through the chronology of my youth. Our HSC results were published...
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10 Sep 2026
Badhon’s harassment in Venice: Mob culture goes global
In Venice, Bangladesh should have been talking about cinema. Instead, the country is talking about an...
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08 Sep 2026
Remembering Salman Shah: The Emon Who Never Grew Older With Us
But when I began thinking about him again, and speaking with other people, I realised that...
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06 Sep 2026
Bangladesh’s cultural claustrophobia in the age of the creative economy
In 2026, a viewer in Bangladesh can sit at home with a smartphone and move within...
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30 Aug 2026
Wounds beneath the mask: Why Spider-Man: Brand New Day feels human again
While watching Spider-Man: Brand New Day, I found myself caring less about how high Peter Parker...
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03 Aug 2026