A stage musical inspired by the late singer Amy Winehouse is in development, raising the prospect of her celebrated songs returning to the spotlight in London’s West End. The project remains in its early stages, and it is not yet clear whether the production will tell the story of her life or use her music to accompany an original plot.
According to Variety, veteran Broadway producer Catherine Schreiber is involved in the project, with casting reportedly under way. Schreiber’s previous productions include Cabaret, Rent and the stage adaptation of High School Musical. One source described the musical’s development as “the worst kept secret in theatre”.
Mitch Winehouse, Amy’s father and the overseer of her estate, is also believed to be involved. His participation could pave the way for the production to feature some of the singer’s best-known songs.
Winehouse released only two studio albums before her death in 2011 at the age of 27. Despite her brief career, she left a lasting musical legacy with songs including Back to Black, Valerie and Rehab.
The format of the stage production remains uncertain. It could follow the biographical approach of Tina – The Tina Turner Musical, which traces the life and career of the singer, or take inspiration from Mamma Mia!, which builds an original story around songs by ABBA.
The idea of a musical based on Winehouse’s life and featuring her music has circulated for years. Mitch reportedly discussed the possibility as early as 2017. Schreiber’s involvement has now fuelled hopes that the project could finally reach the stage.
Winehouse’s life previously inspired the biographical film Back to Black, released two years ago to mixed reviews. The film starred Marisa Abela, known for the series Industry, as the singer and was directed by Sam Taylor-Johnson.
Jukebox musicals have become a familiar presence in the West End, with productions such as Mamma Mia!, Tina – The Tina Turner Musical and MJ the Musical drawing on the catalogues of celebrated performers. However, success is not guaranteed. The Chaka Khan musical I’m Every Woman, which opened in London earlier this year, received less favourable reviews.
Representatives for Schreiber and Mitch Winehouse had not responded to requests for comment by press time.
