Santosh Subedi is a prominent figure in Nepali cinema and cultural circles. He is currently in Bangladesh as a jury member of the 6th Bogura International Film Festival.
At the same time, he is leading the organisation of the 7th Nepal Cultural International Film Festival (NCIFF), where he serves as chairman.
The festival has received more than 400 film submissions from 52 countries and will take place in Kathmandu from January 30 to February 1. From these entries, the selection committee shortlisted 84 films from 39 countries as semi-finalists.
In the local fronts, three Bangladeshi films feature among the selected titles. Mohammad Rakibul Hasan and Fabeha Monir’s ‘The Taste of Honey’ secured a place in the Best International Environment Film category, while Sahadat Russell’s ‘I’m Telling You’ earned selection in the Best International Short Documentary Film category.
Given his involvement in film festivals in both countries as a jury member and organiser, The TIMES of Bangladesh asked Subedi about transparency in such events. Answering, he said, “Organisers in both cases selected films through FilmFreeway, an internationally recognised submission and review platform.” He noted that the system plays a crucial role in strengthening a festival’s credibility and international standing.
Subedi believes film festivals strengthen cultural ties between Nepal and Bangladesh. “These festivals are not merely venues for film screenings; they function as academic and creative gatherings. Filmmakers not only present their work but also exchange ideas and experiences,” he said, adding that panel discussions, masterclasses and networking sessions create an environment of mutual learning that can eventually lead to collaboration and co-production.
Reflecting on the role of film festivals, Subedi said they allow audiences from one country to experience the society, history and culture of another at close range.
“Through cinematic storytelling, filmmakers reveal everyday lives, crises, dreams and struggles, which fosters mutual understanding and respect for cultural diversity,” he said.
Subedi emphasised that this exchange holds particular significance for Nepal and Bangladesh, as the two countries share similar social realities while maintaining distinct identities. Policy support from the Nepal government, along with coordination with the Film Development Board and the Nepal Tourism Board, has helped NCIFF grow steadily in scale and reputation.
As a result, the festival now attracts increased interest and film submissions from around the world.
He further reflected on the impact Bollywood maintains on Nepali cinema spheres. “Bollywood remains strongly present among audiences of popular genres. Its impact appears in music, dance, storytelling styles and production values,” Subedi mentioned, emphasising that he does not view this influence as detrimental to Nepali cinema.
“Indian cinema has inspired Nepali filmmakers to explore new storytelling approaches and technical possibilities,” the filmmaker said.
At the same time, Nepali cinema continues to return to its roots and local realities, seeking to establish a distinct identity through films that portray hill life, social tensions and indigenous culture.
