Shakil Khan, one of the most celebrated romantic heroes of Bangladeshi cinema in the 1990s and early 2000s, continues to hold a special place in the hearts of audiences despite a relatively brief film career.
Making his film debut in 1997 after entering showbiz in 1994 through photo shoots and magazine features, Khan quickly rose to prominence with his charm, dialogue delivery and natural flair for romantic roles. Within a short time, he was competing with leading stars of the era, establishing himself as a household name.
At the time, some even considered him a ‘complete package’- what was there that he lacked? Not only did he act, but he also wrote scripts, choreographed dance sequences, lent grace to dialogues and performed song sequences.
Early in his career, Shakil’s performances bore traces of youthful innocence, yet he evolved rapidly, developing a signature style. His acting was uniquely his own, perfectly suited for romantic films, where his charisma, charm and infectious smile won hearts effortlessly.
His hit films such as ‘BhaloBeshe’, ‘Ontore Ontore’ and ‘Protidin Tomake Chai’ not only highlighted his acting but also his skill as a choreographer. His pairings with top actresses like Shabnur, Purnima and Popi became iconic, drawing packed audiences to cinema halls during the peak of the VCD era.
Popular songs including ‘Jibone Boshonto Eseche’ and ‘Lal Lal Gaale Jaar Chotto Til’ remain etched in the collective memory of fans.
Though his active years in cinema were limited, Khan insists he never truly left the industry. “I may have acted in fewer films, but I have always remained connected, whether through direction, script consultation, or production support,” he explained.
Beyond films, Shakil Khan worked in television dramas, hosted programs and served on the BTV Censorship Board and Bangladesh Film Censorship Board. He also engaged in business ventures while remaining active in film industry unions and elections.
Among his notable works are ‘Amar Ghor Amar Behest’, ‘Ma Jokhon Bicharok’, ‘Ei Mon Tomake Dilam’, ‘Paharadaar’, ‘Biyer Phul’ and ‘Moger Muluk’.
Despite his success, Khan has always emphasized that the affection of audiences matters more than fame or financial reward. “Acting is how I sustain my life, but the love I receive from audiences- that is priceless,” he said.
While his absence from acting has left fans nostalgic, Khan hints at a possible return. “Through my films, people know me. How can I truly bid farewell to cinema? Perhaps soon, audiences will witness my return, in a new avatar,” he added.
Yet for Shakil, the greatest reward has never been fame or fortune, it has always been the love and affection of his audience. “I have never sought rewards. Acting is how I sustain my life, but the love I receive from audiences, that is priceless. I wish to live with this love forever,” he concludes.
For Dhallywood fans, the prospect of Shakil Khan’s comeback is a reminder that the star who once defined an era of romance on screen still has more to offer.